our latest looking for mushrooms ep comes to us from a collaboration between long time dirt crew resident tigerskin and gifted jazz pianist and composer grambow. we first heard from grambow when his fluid key stylings featured on tigerskins faint in 2015. the title track is a suspenseful and moody journey, lead by live double bass from feature artist das eb. building in intensity with tigerskins warm production and steady percussive instrumentation until grambows live lead on a gritty synth growls in over the top. a true modern electronic classic as far as we are concernred. tsukiji is a playful deep house groover. balmy tuned percussion and shaken highs roll along under the light hearted piano which cruises along throughout the whole tropically touched endeavour. this track has party written all over it! octocat is a tougher italo disco tainted work out, tightly programmed live and analogue percussive elements push along, while wailing keys lick over a tenacious grunting bass. you can really taste and feel the long studio sessions the guys had to compose this great track. it is so much more than generic dance music. red fox is a divine culmination of the pairs compositional prowess and dance music knowhow. a cinematic and spirited house track that glides and glistens via delicate piano, plucky percussive riffs, bright strings and woodwinds. we are very honoured to release this outstanding musical release by tigerskin and grambow.

quite a few months have passed since adam port released his last original material on keinemusik. it’s been almost too long. but then again, every expert will confirm, you won’t see a “sonnenfinsternis” every other week. port’s new ep is going under the name of that very astronomical curiosity and accordingly, the like-titled cut on a can only be the result of a rare cosmic constellation. it starts with a spoken word field recording. could it be, someone secretly recorded parts of the internal pre-release labelmeeting? we’ll leave that to your imagination. but then, all solid facts. a forceful beat, decorated with hihat-hiss, stoically pounding synthbass, rattling snare-staccato and space-opening synth-layers. finally, some siren’s wailing, just in case someone didn’t get the immediacy of this material. classy floor substance, that is, with the scarcity value of an eclipse. “working for it”, as the first track on the flipside, is rather going for the deeper realms. this coproduction with jennifer touch, a singer/producer that just moved from leipzig to berlin, is built up on a cosy, warm synth-priming, that touch congenially contrasts with her undercooled wavy vocals. an emotional rollercoaster, if you will.

the official re-issue of the dub classic -space invaders- available as extended 2lp vinyl-set with 20 tracks and poster. the original album from 1981 has been state-of-the-art remastered and is twinned with a second disc of the original vocal versions. all recordings recorded at channel one with the roots radics and mixed by scientist at king tubby’s with producer linval thomspon.

2016 repress!!!! slow life finally get out the first release from their label, albeit not before the second one dropped! skittering, jersey-edged numbers sit alongside juno-acid bangers and a wailing sax detroit cut. killer!

a dark rain falls on the reeds. the girl stands in the marsh. night birds are wailing. slowly she sinks in the water. no other way. an immaterial wave swells around her. the voice echoes on the other side of the liquid wall. going. she reaches her hand out to the translucent water and passes throughÓ her entire body, shivering, travels across. gone. she falls down the self-sufficient hole. the white noise of the water becomes unbearable. deafened, the girl tries to escape the surveillance of the sonar system. she finally crawls out of the aqueous tunnel : in front of her, lay the basses-terres

nice price deal !!! manchester s techno alchemist and master of the roland tr-808, the enigmatic mr.raw, debuting mancdetroit 12” on win or loose records straight outta toronto ca! long term nightclub shaman on the northwest of england circuit, raw served time in rotterdam s early 90s gabba circles before returning back to manchester to twist brain s n bodies with his wild blend of freestyle techno. raw s witnessed trends in production go from hardware to soft and back again but he s never strayed from a solid rack mount set up based solely around the tr-808. with a few added choice fx processors raw s style is loose n live and captures a pure spirit rarely exercised by today s pacified youth. -perseus dance- sounds like the kind of shit the great ron hardy would jam on, with two copies, for hours. inflicting a sherm-stick flavored mind-blast to the floor that may have indeed caused the good man to blush, we find percolating 808 percussion woven together with a mystic, fizzing lead line and twangy analogue artifacts. darkside acid dragged wailing and whining from rusholmes drains. flip and we have -hard on-: a twisted x-rated porno horror jam. raw s rapid-fire double-speed drum loops firing away while a plethora of abhorrent vox and coital sounds converge onto the track. a total wrecking ball of filth and hellish distortion which just smolders away in the basement of some sadistic nightclub like a rotten but highly intoxicating fungus ready to switch on any passing freaks.

studio one showcase brings together a new fine selection of classic tracks from horace andy, freddy mcgregor, johnny osbourne, lone ranger, sugar minott, the heptones, wailing souls and other seminal reggae artists all recorded at studio one in the 1970s.

42 copies only worldwide mint sealed stock imported from salsoul offices nyc original 1994 stock! this 4 lp box set set is a smash hit. one listen to songs such as: its good for the soul, salsoul rainbow, and tangerine and you too will be hooked. there is a great mix of instrumental and vocal tracks. this brings us all back to the good days of whirling strings and wailing woodwinds. you must purchase the compilation your money will be well spent!

the rawest, diy gospel ever resurrected. the west side of chicago was just an annex of the deep rural south for gene autry cash and his flock of recent old dominion transplants looking to cut their fiery, unadorned sounds indelibly to plastic. his jade label absorbed those god-fearing artists: family bands with wailing kids and barely amateur groups sourced from local parishes, infused with reverberations of country and western and deep soul. glinting authenticity shines from every track like a diamond in the unpolished rough—each group completely convinced that salvation comes through song.

stay underground it pays returns! relatively unknown newcomer modula brings us a slab of ruff n ready analog cuts, with a real standout remix from fuckthegovernment! said remix of controllo by f.t.g is so good that it is the opener of the whole record. it’s a remix built for late night experiences, one for the warehouse, with it’s wailing, ravey vocal samples and subterranean rolling acid bassline. the a side is rounded off by modulas tape mix of controllo. doing what it says on the tin, the graininess and saturation that tape production brings is instantly noticeable. while the tape mix is not as sinister as f.t.gs remix, nor as spatially dense, its greater emphasis on synth work is bound to make it a favourite for many suit fans.the b side takes on more of techno form than the a side. kicking off with intrigo (tape edits), the pad sounds give it an ethereal atmosphere, contrasting the almost militant feel of the percussion and bassline. immerso (instrumental mix) is probably the highest energy pick of the bunch, lots of bleepy synth work and crispy power claps might make this track the djs pick of the record. all in all, a top record from modula! dont sleep on it!

die serie der greensleeves lp-wiederveröffentlichungen geht weiter: hier ist das album des sängers linval thomspon aus dem jahre 1983 im originalartwork. *baby father* wurde mit den roots radics und dem bläsersatz bestehend aus dean fraser und nambo robinson im channel one studio aufgenommen. am mischpult saßen dabei soldgie hamilton und der sänger als produzent in eigenregie. linval thompson (geboren als phillip alphonso im jahr 1954) hatte seinen ersten karrierehöhepunkt mit dem kultalbum *dont cut off your dreadlocks* im jahre 1976 für bunny lee. zu diesem zeitpunkt hatte er bereits das studium zum toningenieur in new york abgeschlossen und später begann eine erfolgreiche produzentenkarriere, u.a. dennis brown, cornell campbell, the wailing souls, barrington levy, eek-a-mouse, sowie die zwei scientist alben *meets the space invaders* und *encounters pac man*.

a 4-track package traversing house and techno. first up jour de fete, a reference to the black and white 1940s french comedy – perhaps a clue to mr georget… one things for sure this is toe-tapping house. taking its time to perfectly build up the progression towards smooth outbursts of wailing sirens. 6eme etape is another fine example of get-up-and-dance house, theres plenty of driving drum kick and jazzy key chords, nicely pulled back and interrupted, to drop back in again with a renewed energy. poil de renard on the other hand immediately marks out its territory among the german minimal and micro house space. strong, syncopated beats laced with chopped up whispers and unknown reverberations, this is tough! the 103 mix softens up the edges, a subtle underlying synth providing the mellowness – essentially your morning-after dub version.

tyree coopers all you need is house ep is a proud celebration of the genre, done chicago style and rammed home by marco’s wailing vocals. through solid drums and strong vocal hooks, coopers original beats down hard justifying the need for a 180g pressing. it rattles and hums until dropping into a tom-drum and snare solo similar to runaways *brooklyn club jam*. bobby starrs mix brings marcos teddy pendergrass-sung vocals to the fore, while milty evans gets a little techier with a cut up approach, adding white noise flashes and lots of filterwerk. cooper second take comes via a classic dub which draws a link between squelchy baile funk and a masters at work drum track.

a superb collection of jimmy page tracks from 1968-1970 on picture disc vinyl.

nice price deal !!! the record opens with “origins”, and we hit the ground running with an obese bass-line dipping through a sparse rhythm .this is a deeply touching jack-attack, infused with stripped-down, cold-wave hysterics and touched by that very distinct meschi charm. science-fiction synth-lines smash through a rugged beat, wailing at you with such force that you can’t help but take notice.

brand new album featuring non-stop killer studio one cuts from the skatalites, heptones, lone ranger, horace andy and loads more. album comes in jewel case with slipcase style cd, limited edition gatefold heavyweight double vinyl and exclusive digital download from here. this is the first new studio one/soul jazz release in over 3 years and is being released to coincide with our forthcoming monster new deluxe hardback 12x12inch 200 page full colour book featuring hundreds of super classic and rare studio one sleeves.

rude boys are synonymous with jamaican dancehall culture from the present day going back to the very early days of sir coxsone dodd and duke reids first sound-clashes in kingston. studio one rude boy features artists and songs about rude boys and rude boy culture from all periods of studio ones history. the album features ska, rocksteady, djs, roots and dub the album features classic tracks from jamaicas finest singers and groups such as the wailers, john holt, the wailing souls, dennis brown alongside super-rare tracks from artists such as mr foundation, dudley sibbley and the soul brothers all recorded under clement sir coxsone dodds supervision at the legendary recording studio and record label. musical backing comes from the legendary in-house bands û the skatalites, the sound dimension, soul vendors and soul defenders û who provide the classic studio one rhythms so influential in the history of reggae

another month, another cool and unique r&b sound from the jukebox jam series! this time around, we feature 40s songstress with a really superb low-slung and slinky number. making its first appearance on 45rpm vinyl, >shrinking up fast< is bound to set pulses raising with its hot and seductive jazzy feel, mambo rhythm and wailing horns. yet another record which sounds not so much ahead of its time as occupying another realm altogether! the flip side >please dont stay away so long< is a worthy effort in its own right - a breezy jump blues side which also rotates around a loosely latin influenced rhythm. but as good as it is, >shrinking up fast< is the clear winner for us, an awesome, slow-burning scorcher which we are proud to be able to finally make available on dj friendly 45rpm - its going straight in out box and we would urge you to follow suit!

numbers follow up the instant sell out that was redinhos bare blips with this red hot collaboration between two of the most exciting producers around just now - roska and untold. collaborations of this sort have a tendency to be a little bit underwhelming but on myth and long range the two producers have dug deep to come up with a perfect marriage of each others styles. this is house music as it should be - fresh, exciting, raw and banging. untolds grimey sub fit perfectly with roskas syncopated drums and the wailing horns on myth are gonna be stuck in your brain for days. one of the most exciting records around at the moment, dont sleep on it.

return to form (take that, haters!) hits at the body repeatedly, slamming away with a lack of abandon and a new sense of protocol. major stars are known for being psychedelic rock journeymen (and journey lovin women), but of late, their rocks psych roots seem to be dyed platinum white, with a truckers cap shoved on top of the whole mess. its jukebox ready hard rock with a hallucinogenic edge, sure ? or perhaps its just the impact of their triple guitar git down, causing your head to throb with concussive force? dont worry, long time star children ? these guys still jam, but they ve got short numbers too, and wailing, roadhouse vocals sailing over the punch ups. a terrific variety, but a return to form? pffft! what form? these guys have been in plasma state forever! whatever form it takes, thats what it is. and major stars are presently shining on in white dwarf style ? compacted, but with a violent gleam.

finally a full ep by d marc cantu (1/2 of 2am/fm and under other aliases involved in collabos with traxx). technically its the follow up to his cult hit no control (creme jak 02, today a highly sought after 12inch) and in good h-h-h-house fashion this ep contains a ball busting jtc remix of this anthem. but the centre piece must be the title track one of the most emo-simplo jak trax weve ever heard here at the office. starting out simple enough with a single finger synth line (like the musings of a retarded secretary), it mutates into a big wailing distorted saxophone (or a mating whale, who knows?), this puppy will fill your room and throw everybody into an instant k-hole. hey, if that dont sound appealing check the soundclips for proof, its pure liberation... nay rebirth! more floor destroying crazyness on the flipside, but were all out of steam describing it. jak jak jak

hailing from the musical mecca of austin, texas, and following up their brilliant debut album from last year, which featured in our year end top 10, with this already hugely lauded sophomore effort. recorded by the band in their infamous studio/trailer, wailing fuzz guitars, soulful, yearning, emotive vocals, and one of the tightest rhythm sections going provide the currency in which this unique power trio explore their brilliant, unexpected and wide ranging musical ideas. an entirely original, sprawling combination of sixties rock touchstones, free form jazz jamming, and a defiantly post punk spirit, and all performed with a precision, and vibrant intensity not often found on record.

vinyl exclusive release! no digital !!!story02 brings you more tales from the deepside that have no author attached to them and rather sound like deephouse traditionals secretly and orally passed down from one wise deephouse initiate to the next. free from superficial glitzy effects, showy noodling or even the slightest nod to the latest fad in clubland every single one of these 3 tracks is like a condensed version of what deephouse is about and revokes mystic memories of nights in dark, bassridden basements. >deepcut59< is a manifest not for minimalism but simplicity where only the slow swelling of a chord can make you burst with joy and just the addition of a hi-hat will stir you into action with new vigor. >on the way back< over on the b-side features a relentlessly pushing, driving rhythm with abstract, piercing piano chords scattered all over while the title of the closing >rhodes on drums< says it all: sweet wailing, rhodes musings on >love and happiness< for those blue hours in the morning. this story is an epic!

the long lost consists of husband & wife alfred (a.k.a. electronic daedelus) and laura darlington. in contrast to the avant electronics and hip hop aesthetics of alfreds music as daedelus, the long lost is a union of two songwriters & producers with a penchant for sad sounds and delicate, electro acoustic melodies. psychedelic lullabies for lovers and the lovelorn. as well as sa ra, laura has also sung for flying lotus. a fascinating and utterly individual project, the long lost take the subject of love away from the cliches and hackneyed wailing of the mainstream and reconnect it to those strange and uncontrollable emotions we re all so in thrall...

joris voorn & jerome sydenham remixes !! joris voorn stands unquestionably amongst the very finest of todays electronic music production elite. the ever growing list of undisputed hits to come from the dutchmans rotterdam studio confirms is status as one of only a handful of current recording artists capable of creating with each subsequent release a flawless, precise sound that never lacks the essential human touch and organic flow necessary to deliver the biggest results in modern electronic dance music. with his remix of >destination nagano< voorn uses the originals distinctive, driving stab to build an epic, spiralling journey of a track which swings back and forth between wild, wailing sirens and graceful chord phrases before opening out into a beautiful, soaring break and drop momentdestined to create huge impact across the globe thisspring. jeromes shinkansen mix on the b side sees the extended form of the original become compressed and intensified as sydenham takes hold of the improvised key solo and creates an exhilarating house moment reminiscent of a certian classic, much loved ibadan sound.

the label boss returns to his own yore imprint with another stunning solo release. these are different times indeed for andy vaz if the eps three mighty jams are indicative of where his musics heading. the a-sides over here (a glance over prime time mix) roars from the very first moment vaz unleashes its steaming, latin-tinged groove. a far cry from the techno the yore label head once issued, the tune finds vaz exploring straight up dancefloor territory with a dizzying house pulse that straight up rocks. melodies and voices rise to the surface of the dionysian broil and then just as quickly recede, leaving room for a driving bass line to gain the spotlight. the flips hurry hurry (before its too late mix) is classic deep house just as one expects on yore. a jazz-inflected strut with tilman ehrhorns sax playing, wailing over waves of rollicking piano playing and spirited vocal chants. the energy level doesnt flag for the discs final track, bygone times (nostalgia mix), which stokes a fiery house swing with its locomotive pulse, futuristic synth patterning, and high-velocity bass lines. vazs music has never sounded more impassioned and energized than it does in these three tracks and consequently, just as one might predict, different times feels like its over far too soon

life is long is an opening gate to the world of lithuanian jazzy house. the funky basslines and turntablist stylings, topped with the organic sounds of light, swinging, latin percussion, wailing saxophones, and fluttering flutes forms the distinct sound of jazzus juice. the release includes amazingly frivolous and funky remix crafted by talented mr. rithma (om records).

pumpin minimal techno two tracker !!after their first release on armut24 in may 2007 the berlin minimal-house project nicone now presents its second 12inch on force tracks. with >habibi< and >plesna dvorana< alexander gerlach and sasha hirtenfellner created two very danceable minimal tracks. >habibi< starts with a wide range of clics, clacs and sounds of wailing wind – accentuated by a straight beat. around three minutes later the song title becomes explicit, oriental flutes complete the sound arrangement and the magic carpet ride through arabian clubnights might begin. the trip goes directly to the balkan peninsula, >plesna dvorana< is the croatian word for ballroom and a dancing crowd is exactly what the track makes possible

theo parrish and an all-star cast featuring warren harris, marcellus pittman, bill beaver, jerrald james and mellissa botts take you on a deep excursion to the roots of afro-american music with this free-spirited live jam. after setting the mood with live percussion and a thick live bass, a bluesy guitar, cosmic keys with a sun ra vibe, wailing soul vocals, theo s instantly recognizable beat and later a bitter-sweet violin solo all join in and create an unique atmosphere that is totally mesmerizing. the >reprise< on the flip continues in a more stripped down, piano led way. two shining example of sheer musical genius

half of who da funk here with a big electro fueled beast of a club track comes packed with wailing diva vox and three very full on mixes

a full-on electro excursion from cajmere, with a great vocoder vocal the centerpiece, surrounded by driving beats and a steady bassline. mark grant takes it to the main floor crowds with a stellar rework, retooling the drums and bass for the peaktime hours and throwing some well-placed filters into the mix, while the vocal stays present. on the reverse, the 'praise mix' is a classic slice of gv action, with thumping drums, wailing synths, swirling effects, and no vocal, all very much in the style of 'flash' et al

an explosion of crunchy beats, twisted analogue synths, further gibberish rap cuts, earth rumbling bass, wailing sirens and a crazy stomping dirty climax, support from: jds, soul of man, hyper, freq nasty, jay cunning, the freestylers, drumattic twins, stanton warriors, meat katie, hyper, evil nine, atomic hooligan

classy house mixes of this tune by promising soul singer marlon saunders ( soulbrother records ) by disco/ house legend nicky siano who keeps the raunchy southern soul feeling alive by retaining wailing organ, guitar and horn stabs in the mix

the original, with its wailing organs 909 beats and dark vocals samples takes this one down the road 3.am style. whilst the flip-taken over by dj linus - goes even deeper into a dubby synth workout with a chicago trax bassline and 707 claps hitting hard ontop of the 909 kick. pure, effective nostalgia.

limitiert und remastered: fŸnf nachpressungen vergriffener -studio one-bestseller. studio one groups is the latest soul jazz / studio one records release featuring legendary groups from the foundation label of reggae. bob marley and the wailers, toots and the maytals, the heptones Ð just three of reggaes greatest groups who all started at clement dodds studio one records, the university of reggae. studio one groups brings together classic artists alongside lesser-known artists and covers studio ones musical output from the 1960s and 70s featuring ska, roots, rocksteady, dub and more.

essential reggae dubs by the godfather of reggae + band

classic tracks from reggae legends wailing souls, scientist, barrington levy, augustus pablo, johnny osbourne, half pint, bushman, jacob miller etc are expertly mixed and blended by dj andy smith while guest mc brother culture is showcased to full effect on six exclusive cuts.